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testXML.xml
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testXML.xml
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<abstract type="Summary">1. Introduction; Creative Encounters over Time and Space: Writers, Readers, and Researchers -- 2. From Russia to France, via England: Suite française, War and Peace, and E. M. Forster -- 3. Departing from Tolstoy: Polyphony and Monologism -- 4. Beyond Tolstoy: Music -- 5. Dreams from Underground -- 5. The Abject -- 6. An Anthropology of Suffering -- 7. La Vie de Tchekhov: A Romanced Biography -- 8. La Vie de Tchekhov in the 21st Century -- 9. Conclusion: A Russian Suite.</abstract>
<abstract type="Summary">This book explores the influence of Tolstoy, Dostoevsky, and Chekhov on Russian-born French language writer Irène Némirovsky. It considers the complexity of each of these relationships and the different modes in which they appear; demonstrating how, by skillfully integrating reading and writing, reception and creation, Némirovsky engaged with Russian literature within her own work. Through detailed analysis of the intersections between novels, short stories and archival sources, the book assesses to what degree Tolstoy, Dostoevsky and Chekhov influenced Némirovsky, how this influence affected her work, and to what effects. To this aim the book articulates the notion of creative influence, a method that, in conversation with theories of influence, intertextuality, and reception aesthetics, seeks to reflect a “meeting of artistic minds” that includes affective, ethical, and creative encounters between writers, readers, and researchers.</abstract>
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<abstract type="Summary">Intro -- Contents -- Acknowledgments -- Introduction. Dostoevsky and Nabokov: The Case for Narrative Ethics -- Chapter One. Between Sin and Redemption: Narrative as the Conduit for Responsibility in Dostoevsky's "The Meek One" -- Chapter Two. From Violence to Silence: Vicissitudes of Reading (in) The Idiot -- Chapter Three. The Metaphysics of Authorship: Narrative Ethics in Nabokov's Despair -- Chapter Four. The Dangers of Aesthetic Bliss: The Double Bind of Language in Bend Sinister -- Conclusion -- Notes -- Bibliography -- Index.</abstract>
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<abstract type="Summary">Preface– Introduction: Theodicy and Its Importance for Today’s Christian– Witness– Why Study Evil– Leibniz and Constructing Theodicies – The Apparent Absence of a Full Theodicy in the Bible – The Possibility of Theodicy – The Necessity of Theodicy – Karl Barth– A Historical Investigation into Theodicies – Organizing the Material and the Augustinian/Irenaean Typology – First Term Theodicies – Second Term Theodicies – Non-Theodicies– Nothingness in Dialogue – Understanding Barth’s View of Evil – Church Dogmatics 3.3 Paragraph 50 Nothingness– Church Dogmatics 3.1 Paragraph 42 Creation and Chaos – Church Dogmatics 4.1 Paragraph 60 Sin – Barth, Augustine, and Calvin – John Hick and Karl Barth – Irenaeus – Hick and the Purpose of Suffering – The Purpose of Suffering in Barth – The Demonic in Hick and Barth – In Summation– Shadowy Vestiges or Absolute Nothingness? – To See Shadows – Barth’s Shadow Side of Creation – Barth’s Use of Job – David Bentley Hart – The Grandeur of God and the Absolute Nothingness of Evil – The Inability to See God’s Purposes – The World as Fallen – The Rejection of the Question – The Only Acceptable Statement of the Problem of Evil: Dostoevsky – The Commonality Between Barth and Hart – Is Theodicy Possible– Why Barth is Insufficient – A Broader Outlook – Barth’s Weaknesses – How to Proceed – Five Thesis – Appendix: Manifesto of the 93 German Intellectuals – Index.</abstract>
<abstract type="Summary">Karl Barth’s Concept of Nothingness: A Critical Evaluation is an examination of Barth’s discussion of the problem of evil in the Church Dogmatics. It provides a thorough exegesis of Barth’s thinking on the origin of evil and the nature of the "shadow side" of creation in dialogue with John Hick and David Bentley Hart. The book’s primary focus is in demonstrating the logical difficulties in Barth’s thinking on the problem of evil. Further, it proposes a way forward that is beneficial to the pastor and provides hope and comfort to those in the midst of suffering and evil</abstract>
<abstract type="Summary">“Theological students with a passing acquaintance with Barth likely know he had little use for the enterprise of apologetics, and to the extent that they associate theodicy with apologetics, they may likewise assume that Barth does not offer a substantial treatment of the problem of evil. Wallace contends that while evil was indeed a significant locus in Barth’s theology, it was inadequately developed. This book gestures toward a more robust theology of evil by bringing Barth’s thought into dialogue with other proposals that lead Wallace to offer pastorally oriented correctives to these shortcomings."—Steven R. Harmon, Professor of Historical Theology, Gardner-Webb University School of Divinity</abstract>
<note type="statement of responsibility" altRepGroup="00">Layne Wallace</note>
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<abstract type="Summary">CONTENTS: Theorize Transcendence – Suppression – Rage Against Time: Leopardi and Cioran against Sloterdijk – Ghost Your Past: Fanon and Meinhof in NDiaye and Pinckney – Embrace the Silence: Bakhtin among Diderot and Pelevin – Follow the Fool: Schopenhauer between Wagner and Nietzsche – Infliction – Idolize the Inhuman: Musil through Scarry, Felman, and Laub – Imagine Going Nuclear: Beckett with Bataille or Levinas – Fall into Occidentalism: Cioran before the Maoïstes and the Alt-Right – Become a Corpse: Bloch and Blanchot around Dostoevsky – Practice Immanence.</abstract>
<abstract type="Summary">We live in an era of global anxiety – about rising nationalism, civil and human rights struggles, the ramifications of declining white male hegemony, about driving ourselves and other species toward extinction. So it’s no surprise that we also seek transcendence of our material circumstances. But exploring the possibilities of transcendence of our materiality – whether through religion, philosophy, psychology, or literature – is not a new feature of thought, art, or action. This book explores approaches to the immanence-transcendence problem in works of French, German, Italian, and Russian literature and philosophy between 1762 and 2016, in an effort to understand how different thinkers have approached this dynamic. The volume is divided into four "suppression" approaches and four "infliction" approaches, sometimes combining sympathetic source material from different centuries and countries that take complementary stances. While this book takes a skeptical approach as to whether a person can experience sensory comprehension of transcendence of his or her own embodiment, we are clearly in need of literature that provides guidance for our current sociological and psychological circumstances in an effort to help us navigate our global future</abstract>
<abstract type="Summary">«In his captivating exploration of the tension between immanence and transcendence in modern and contemporary European literature, philosophy, and critical theory, Robert Cowan takes us on a compelling quest for responses to an enduring and multifaceted human aspiration – to trespass the limits of the material world and access the divine.» (Nicoletta Pireddu, Professor of Italian and Comparative Literature, Georgetown University)«In this important, wide-ranging literary and theoretical exploration of the drive for transcendence, Robert Cowan presents a comparative critique of global neo-Gnosticism. Grounded in varied, specific examples and a first-person point of view, Cowan compellingly shows how far the planet is from achieved secularization. Whatever we consider the secular or ‹worldly› to be, the more it seems to dominate, the more the otherworldly may manifest itself in the temptations of oblivion.» (Kirk Wetters, Professor and Chair of German, Yale University)</abstract>
<note type="statement of responsibility" altRepGroup="00">Florian Mussgnug, Robert Cowan</note>
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<abstract type="Summary">Karl Barth's Concept of Nothingness: A Critical Evaluationis an examination of Barth's discussion of the problem of evil in the Church Dogmatics.</abstract>
<abstract type="Summary">Cover -- Contents -- Preface -- Introduction -- Why Study Evil -- Leibniz and Constructing Theodicies -- The Apparent Absence of a Full Theodicy in the Bible -- The Possibility of Theodicy -- The Necessity of Theodicy -- Karl Barth -- 1. A Historical Investigation into Theodicies -- Organizing the Material and the Augustinian/Irenaean Typology -- First Term Theodicies -- Second Term Theodicies -- Non-Theodicies -- 2. Nothingness in Dialogue -- Understanding Barth's View of Evil -- Church Dogmatics 3.3 Paragraph 50 Nothingness -- Church Dogmatics 3.1 Paragraph 42 Creation and Chaos -- Church Dogmatics 4.1 Paragraph 60 Sin -- Barth, Augustine, and Calvin -- John Hick and Karl Barth -- Irenaeus -- Hick and the Purpose of Suffering -- The Purpose of Suffering in Barth -- The Demonic in Hick and Barth -- In Summation -- 3. Shadowy Vestiges or Absolute Nothingness? -- To See Shadows -- Barth's Shadow Side of Creation -- Barth's Use of Job -- David Bentley Hart -- The Grandeur of God and the Absolute Nothingness of Evil -- The Inability to See God's Purposes -- The World as Fallen -- The Rejection of the Question -- The Only Acceptable Statement of the Problem of Evil: Dostoevsky -- The Commonality Between Barth and Hart -- Is Theodicy Possible -- 4. Why Barth is Insufficient -- A Broader Outlook -- Barth's Weaknesses -- How to Proceed -- Five Thesis -- Appendix -- Index.</abstract>
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<abstract type="Summary">Abstract -- Acknowledgments x -- Notes -- Introduction -- 1 The Rise of the Russian Intelligentsia -- 1.1 The Historic Origins of Binary Consciousness -- 1.2 The Eighteenth Century and the Birth of Humanism -- 1.3 Pyotr Chaadayev and the Nineteenth Century: from Dialogues with Power to Public Discussion and Binary Consciousness -- 1.4 The Third Path of Russian Intellectualism -- 1.5 Russian Intelligentsia: history and Fate -- 1.6 The 'Holiness' of the Russian Intelligent -- 2 Fyodor Dostoevsky's Ideology and Mythmaking -- 2.1 Dostoevsky's Authorial Myth -- 2.2 Binary Code in Dostoevsky's Worldview -- 2.3 The National Question in the Mirrors of Religion and Existential Philosophy -- 3 The Rise of the Philosophy of Life: Between Nikolay Strakhov and Lev Tolstoy -- 3.1 Nikolay Strakhov's Mediation between Dostoevsky and Tolstoy -- 3.2 The Philosophical Dialogue of Tolstoy and Strakhov -- 3.3 Tolstoy the Philosopher -- 4 Tolstoy's Social-Religious Teaching: Presentiments of the Twentieth Century -- 4.1 Tolstoy through the Prism of the Intelligentsia -- 4.2 Evil in Politics and Philosophy: 'Who Is To Blame?' -- 4.3 The Amelioration of Evil: 'What Are We To Do?' -- 4.4 Twentieth-Century Political Philosophy: Tolstoy, Weber, Arendt -- 4.5 The National Question in the Mirror of Tolstoy's Art -- Postscript.</abstract>
<abstract type="Summary">Russian Intelligentsia in Search of an Identity considers the problem of the Russian intelligentsia's self-identification in its historic-philosophical and historic-cultural aspects. The monograph traces the rise of the intelligentsia, from the 18th century to the present day, problematizing its central ideas and themes. In this historical context, it proceeds to investigate the distinctive intellectual, spiritual and biographical opposition of Dostoevsky and Tolstoy in relation to the character and fate of the Russian intelligentsia, with its patterns of thought, ideology, fundamental values and behavioral models. Special attention is given to the binary patterns of the intelligentsia's consciousness, as opposed to dialogical and holistic modes of apprehension</abstract>
<note type="statement of responsibility" altRepGroup="00">by Svetlana Klimova</note>
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<abstract type="Summary">Intro -- Contents -- Acknowledgments -- Note on the Text -- Introduction -- Chapter One. Industrial Labor and the Limits of Realism -- Chapter Two. The Economies of Anna Karenina -- Chapter Three. Myshkin among the Merchants: Forms of Money and Narrative Form in The Idiot -- Chapter Four. Heterogeneous Money in The Brothers Karamazov -- Chapter Five. Chekhov and the Naturalization of Capitalism -- Conclusion -- Notes -- Bibliography -- Index.</abstract>
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<abstract type="Summary">Intro -- Russian Intelligentsia in Search of an Identity: Between Dostoevsky's Oppositions and Tolstoy's Holism -- Copyright -- Contents -- Acknowledgements -- Introduction -- 1 The Rise of the Russian Intelligentsia -- 1.1 The Historic Origins of Binary Consciousness -- 1.2 The Eighteenth Century and the Birth of Humanism -- 1.3 Pyotr Chaadayev and the Nineteenth Century from Dialogues with Power to Public Discussion and Binary Consciousness -- 1.4 The Third Path of Russian Intellectualism -- 1.5 Russian Intelligentsia History and Fate -- 1.6 The 'Holiness' of the Russian Intelligent -- 2 Fyodor Dostoevsky's Ideology and Mythmaking -- 2.1 Dostoevsky's Authorial Myth -- 2.2 Binary Code in Dostoevsky's Worldview -- 2.3 The National Question in the Mirror of Religion and Existential Philosophy -- 3 The Rise of the Philosophy of Life -- 3.1 Nikolay Strakhov's Mediation between Dostoevsky and Tolstoy -- 3.2 The Philosophical Dialogue of Tolstoy and Strakhov -- 3.3 Tolstoy the Philosopher -- 4 Tolstoy's Social-Religious Teaching -- 4.1 Tolstoy through the Prism of the Intelligentsia -- 4.2 Evil in Politics and Philosophy 'Who Is to Blame?' -- 4.3 The Amelioration of Evil 'What Are We to Do?' -- 4.4 Twentieth-Century Political Philosophy Tolstoy, Weber, Arendt -- 4.5 The National Question in the Mirror of Tolstoy's Art -- Postscript -- Index.</abstract>
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<abstract type="Summary">A modern and actionable guide to the fundamentals of writing compelling, well-crafted, authentic stories in any medium, with lessons illustrated by novels, plays, films, music, video games, and TV, and writers from Shakespeare and Dostoevsky to Quentin Tarantino and Eminem.</abstract>
<abstract type="Summary">Cover -- Title Page -- Copyright Page -- Dedication -- Contents -- INTRODUCTION: Old School, New Adrenaline -- PART ONE: Essential Principles of Plot -- 1. Drop the hammer. (Hamlet) -- 2. Ask dramatic questions. (Finding Nemo) -- 3. Explore all endings. (The Night Of) -- 4. Connect with "therefore," not "and." (South Park, "Breast Cancer Show Ever") -- 5. Escalate risk. (Pulp Fiction) -- 6. Clash expectation with reality. (Breaking Bad, "Dead Freight") -- 7. Max out the middle. (If Beale Street Could Talk) -- 8. Begin the end with a critical decision. (Frankenstein). -- 9. Confirm the decision. (The Godfather, Part II) -- 10. Wrap up fast. (Late Spring). -- PART TWO: Essential Priciples of Character -- 11. Make your hero active and decisive. (Red Dead Redemption). -- 12. Provoke dilemma. ("The Best of Times, the Worst of Times") -- 13. Layer confl ict. (Ms. Marvel: No Normal) -- 14. Peel the onion. ("Interpreter of Maladies") -- 15. Write characters to the top of their intelligence. ("Stan"). -- 16. Mask everyone. (Harry Potter and the Prisoner of Azkaban) -- 17. Earn transformations. (Fun Home) -- 18. Motivate fierce antagonists. (The Piano Lesson) -- 19. Confront evil. ("The Lottery"). -- PART THREE: Essential Principles of Setting, Dialogue, and Theme -- 20. Link inextricably to your setting. -- 21. Exceed expectations. (30 Rock, "Jack-tor") -- 22. Craft actionable dialogue. (Death of a Salesman) -- 23. Hide meaning. (The Remains of the Day) -- 24. Hunt big game. (Beloved) -- 25. Amplify your theme. (Double Indemnity) -- 26. Attack your theme. (The Brothers Karamazov) -- 27. Transcend thought. (Fever Dream) -- CONCLUSION: The Necessity of Story -- Acknowledgments -- Index.</abstract>
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<abstract type="Summary">Cover -- Titel -- Impressum -- Vorwort -- Inhalt -- Die ethische Funktion pseudoautobiographischer Narration. Der Fall der Testamente der zwölf Patriarchen (Martin Leutzsch) -- »So dacht' ich. Nächstens mehr.« Modelle narrativer Ethik und narrativer Identität in Hölderlins Hyperion und Schillers Demetrius (Lothar van Laak) -- »...die unter dem schlichten Kleide eine höhere Gestalt verbirgt.« Die ethische Dimension der Lebenserzählung in Novalisʼ Heinrich von Ofterdingen (Marta Famula) -- The Development of Theological Narrative in a Multicultural Context (David Jasper) -- Anthony Trollope, Stanley Hauerwas and Narrative Ethics (David Jasper) -- Fictional Creations and Annihilations of the Self. Between Dickens and Dostoevsky (David Jasper) -- Erzählen und Ethik in Peter Weiss' Rekonvaleszenz (Lothar van Laak) -- Aiming for the good life. Narrative, identity, and ethics (Eva Baillie) -- »Depression was the loneliest fucking thing on earth.« (Elisabeth Wurtzel). Depression memoirs as acts of lamentation? (Jochen Schmidt) -- Narrative Ethik jenseits der Schriftlichkeit. Ethische Dimensionen und Implikationen mündlichen autobiographischen Erzählens in der Selbsthilfegruppe (Martin Leutzsch) -- Narrative Ethik. Konturen eines (un-)einheitlichen Konzepts (Jannis Giese) -- Die Autorinnen und Autoren.</abstract>
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